CAUSE CELEBES
copyright 2015 by Edward Falmore
Hopefully, you have read by now my very first submission to this website
entitled "Total Exoneration.5' Hopefully, you have looked into the factual
claims outlined in "Total Exoneration” and found them to be accurate. At
this point I am pursuing a habeas corpus action in Coffee County Superior
Court in Georgia to address claims set forth in "Total Exoneration."
Yet this second submission is just as newsworthy as its predecessor*
The conditions which I speak of in "Total Exoneration" and which 1 am addressing
in "Cause Celebre” if they had been, perpetrated up north, The Mew- York
Times and The Hew York Post would have exposed these deeds in. the sunlight
of public opinion. The hue and cry would have been echoed far and near.
However, these things happened way, down South, in Dixie, So, historically
they have been concealed and will continue to go unnoticed unless an organ
such, as the Araerican Prison Writers Archive and discerning inmates decide
that enough is enough I
The facts which I posit in this article are accurate to the best of
my abilities, I have supplied numbers and dates wherever possible, I have
used letters in. place of names of persons involved. Herein is my story:
I have been writing dramas, novels and songs for the past dozen years.
That is what inteligent men do in prison. The fact is that this is- the only
thing one can concievably do behind bars: Read, and write, and think! I
have been incarcerated in either jail or prison since 22 October 1997, At
not time since that date have 1 not been in police custody, I had written
dramatic pieces and composed corresponding song lyrics and melodies. Thus
in October, 2012 I had monies deducted from my prison account and forwarded
to the United States Library of Congress, the Office of Copyright, These
funds were sent posthaste, aa the record reflects* The prison. Coffee Correctional
Facility, held the mall for over seventyfiv* {75} days and records
reflect that, monies were immediately transmitted to the Office of Copyright,
Readers read carefully* Since I will discuss several separate instances
where my rights have been abridged, 1 will do so carefully and competently
SO' m mt to confuse my readers. The first instance deal with the 85 song
lyrics.
Mow the first matter is the prismas withholding ay intellectual properties,
the eighty-five [85] song lyrics for seventy-five [75'j days# On 31
October 2012 a check numbered 98170 wan withdrawn from ®y account on a Department
of Corrections instrument. Mm, D.H., the erstwhile counselor, took
t„ha package of song lyrics addressed by m to the Library of Congress, United
States Oflie# of Copyright with sufficient postage affixed thereon to the
institution1* mailroom am! gave it to the erstwhile mailroom clerk, Ms.
B.M, Mrs* B.H never notified Me that the mailroom was holding the mail 1
addressed to the United States Office of Copyright. At that time I had
adequate funds on my account. The money was withdrawn expeditiously, I
spoke with the warden face-to-face. Then 1 followed up with a note on an
“Inmate Request Fora” to then Warden Grady Perry. Mrs. L.B* responded for
the warden stating that Mrs. B.il. had been directed to insure taht the mil
g«t out m quickly as possible. This was written bgafore Thanksgiving, 2012,
The ©ail left after Mew leers Day, 2013!
Why did it take Coffee Correct tonal facility, a private concern,, under,: x
seventy-five days to send my mail off to the United States Office of Copyright
where it was addressed?
Why did Coffee Correctional facility, a private concern, under the
aegis of Corrections Corporation of America withhold legitimate sail in con3
traventlon of the law and the agency’s standard operating procedures?
Why did Coffee Correctional facility telephone the Library of Congress,
United State® Office of Copyright when I the author/composer of the eightyfive
{83] song lyrics never gave them authorization to call the Library of
Congress, United States Office of Copyright on ray behalf or with regard to
my intellectual properties?
X believe that the agents which disbursed checks fro® ray account would
show that they expeditiously sent funds but things were botched up at the
prison for some ungodly reason® X have now exhausted all administrative
rowdies under the provisions set forth in the Friaon Litigation Reform Act
[PLHA}« I filed an inmate grievance on 3 January 2013* It is grievance
number 141174 and it states:
On 31 October 2012, I had deducted from ray account $260 which the warden
approved for the purpose of having song lyrics copyrighted* On 2 November,
2012 I gave tah counselor the package with adequate postage affixed
so X could have it mailed to if«$* Office of Copyright with form 3800
and 3811 returned• The package was not mailed* I wrote Wardne and
saw him in impromptu face-to-face ffifcg, But package was not mailed
after 2 months* tty rights under Const# Arad* one and four abridged
& right to copyright*
In the section designated ”Resolution RequestedH I wrote the following:
That my rights to produce a work product be given technical support
since institutln has flagrantly violated my rights*
Now Warden Perry responded» In a statement dated 23 October 2013:
A review of your complaint has found this package was held in the mailroom
at the request of the United States Copyright Office. The facility
was directed to hold the package until the copyright office received the
check from GDC Inmate Trust. Case Manager D.H. was notified on 1/15/13
that the payment had been received by the copyright office. The package
was mailed on 1/16/13 with the postage provided by the inmate to the
address provided by Case Manager D.H.
Mow, fcfo# Central Office Appeal Response to grievance 141174 was m
follows:
4
A member of my staff has reviewed your grievance. You allege that
on 11/21/12 you deducted $260.00 from your account so that your package
could be mailed to the U.S. Copyright Office, but the counselor held
it for two months. According to a statement from Counselor D.H.—
at the request of the U.S. Copyright Office your package was to be
held until payment was received and the process would take about four
to six weeks after payment was received. Based on this information,
your grievance is denied.
It is signed by the coeiaissioner dn&ignesd on 3-4-13* Thus I have
exhausted all administrative refaediaa*
Hence, the records show that on 31 October 2012 a withdrawal
was made from my account payable to thm Library of Congress, United
States Office of Copyright for copyrighting purposes, A im of $260*00 was
paid on a check numbered 98X70#
I had affixed twenty-nine [29] stamps to tlm package and gay# if to
Mrs* D.H, tah counselor believing that if would be sailed to the Office of
Copyright with a check for the copyright fee* The 29 stamps .include tha
coat for the P#8* Form 3800 and 3811 which are the certified mail rociapt
and domestic mail raciejpt, respectively.
* # # # *
let, I had other works which needed to be copyrighted, I wrote a drama
titled the "Levi Series,” I named each segment Levi X, Levi IX and Levi
III# Therefore, after the fiasco with the 83 song lyrics I filled out another
money request form and sent in all the volumes to be processed under th#
^Levl Series*" Records will show that the Department of Corrections Central
Account— Offender Trust withdrew $85*00 In a check numbered 111883*
In good faith I had the "Levi Series" sent to Washington, f)*C# The
check front the .Department of Corrections was endorsed but. was never applied
to my work# The Copyright Office kept sending m letters about remitting
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money I had already sent. The check went from the Department of Corrections
and it was endorsed by someone after it arrived at the U.S. Office of Copyright,
but it was never applied to my work.
Both the private prison mailroom and the United States Copyright Office
have mishandled my transaction and money transfers. They have made an already
tedious process all the more horrendous and protracted. In the final analysis
my delay is ultimately an abridgement of free speech and an. attack on my
right to legally profit, from an exercise of that free speech*
Free speech is not only entails the right to craft an idea, but it
also incorporates the right to' have that idea heard.
On March 18, 2014 the Library of Congress, United States Office of
Copyright reimbursed my account for the check their employee had endorsed
and never applied to my account. The mallroom by this time was staffed by
different persons than had worked there during the song lyrics debacle.
XI took the United States Copyright Office four [4] months to resolve this
issue and reissue a check. By Friday, March 21, 2014 I saw Mrs. M. at the
mailroom and she told me that I should have another check drafted to the
UMited States Office of Copyright since they had. replaced the money which
losts That evening I went to see my counselor, Mr. H.t and he tells
me. to report back and see him that Monday morning. So, on Monday morning
March 24, 2014 I see H and give him a "Money Withdrawal Slip" made payable
to the Library of Congress, United States Library of Congress. H. assured
me that this transaction had gone through and I proceeded believing that
it was debited from my account, and credited to the Library of Congress,
United States Gopyriht Office* But process that should take a week with
regards to this process of writing check 114796 had taken in excess of 195
days! This is preposterous! This is unconscionable! This is illegal!
Therefore, I filed a grievance and under the dictates of the PLRA sought
to again exhaust all administrative remedies.
Needless to say, the counselor never processed the withdrawal slip.
Look what occurred vis-a-vis the grievance process on 14 July 2014s
On 24 March I filed a money withdrawal slip with Mr, H, The money
was to be sent to the UTS, Office of Copyright to register my book
Conundrum, I had no reason to believe that Mr, H» would not process
it. This past week I received a statement of my account, and the withdrawal
was never made, (This was to remedy the bungling of check #114796
anyway). I left Mr. M. believing that the action would be properly
taken so my intellectual property would be properly registered, and
it was not# This is an abridgement of my rights under the Free Speech
Clause of the First Amendment.
The Resolution Requested was as follows:
I want an investigation and be advised on what has happened, and Mr,
H* should be removed from his sensitive position.
Now a Grievance Appeal Response from the Commissioner was returned
for Grievance Number X77078, It says:
A member of my staff has reviewed your grievance. You allege that
Mr, H, failed to process your withdrawal slip. According to a statement
irom Mr, H», at no time did he receive a withdrawal form from you,
however, a form was faxed by an unidentified staff. Due to no staff
signatures on your previous form you were informed to resubmit the
form to be properly processed. Based on this information, your grievance
is denied.
# * ^
These inane comments on my grievances on both the seventy-five day delay
and the failure of the prison to transmit a money transfer are accurate*
Yet before I discuss that, 1 need to discuss the performance of the United
States Office of Copyright.
The Copyright Office accepted a check and never applied the amount to
my work product. Had I been a civilian on the streets I would have got on
Amierak and want to the capital to present if; myself, in person. But as
a prisoner I had to rely on the prison to send the mail and the United States
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Library of Congress to process it, and in both instances they failed miserably.
I sought assistance from the Georgia Lawyers for the Arts. Mr. David
C. Mayers, Esquire and his colleagues believed that there was a prime facie
case of an abridgement of a constitutional right. He then referred me to
the Southern Center for Human Rights.
The fee for my book Conundrum and The Levi Series were sent to the United
States Office of Copyright. In fact, in a letter dated June 10, 2014 from
the Library of Congress, United States Copyright Office should be noted.
They received my dramatic work "The Levi Series" on January 23, 2014 and
teh corresponding case number is SR#1-1346010605.
It should’ve been processed, right?
It wasn’t.
Now in a letter dated November 26, 2014 [Corresponding I.D.s 1-VYRA14
Re: The Levi Series, the United States Copyright Office sent three cushioned
packages of "The Levi Series" back to me saying: . "The filing fee received
with this claim is being retained to cover administrative costs" These folks
screwed up and were charging me for it. What hubris!
■i# # -M* ■# -Sfr
Now as an indigent state prison convict I have four typed manuscripts
which 1 have a desire to see copyrighted. And this is important because
in prison where I am surrounded by thieves, my ideas can be stolen in an
open dorm. A person can tell you that your stuff stink, but in reality see
some worth in your offerings.
Yet, I have copyrighted my doctoral dissertation and 85 song lyrics.
There is so much more to be processed. And if X can process the ideas I
hay© already committed to paper, I believe that I would have 750 items copy~
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righted* Ihsfc is e conservative Qstiinate* I believe that X could be the
one American prisoner who would have copyrighted more than any other prisoner
in tah history of the United States* But X need help in doing so* Let me
return to this theme later*
# lifr ■if #
The authorities that be gave inane responses* In the final incident
the processing of the 85 song lyrics; Who gave Coffee Correctional Facility
permission to act as my agent, as a liaison between me and the Copyright
Office? Who contacted the United States Copyright Office from CCF? What
was said? Why did the United States Copyright Office interact with a group
of people who were not agents nor representatives of the artist/composer?
What the hell is going on? And if they acted as agents supposedly to benefit
me, why wagn*t I informed?
When I received neither the domestic return receipt nor the certified
mail receipt I knew something fishy was going on. I went to the mail room
and saw package laying on top of a cabinet. This stuff should have already
been mailed to D.C* since adequate postage was already affixed to
it.
The only function incumbent upon the mail room staff at Coffee Correctional
Facility [CCF] was to insure that my package was sent out to D.C#
for processing,
.In the second instance requested monies were not processed and the institution
admits this. The withdrawal of money was faxed but had no staff
signatures. Invariably, I made the request, staff was just too inept to
follow through. Let*8 put it another way to understand how grave this situation
is; Had X requested a disbursal of my own funds to pay for a habeas
corpus or an appeal I would have been denied by some judge simply because
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the institution was inept, callous and/or careless in dealing with monies
which belonged to inmates. In prison Ifve written about things most people
are not privy to see, and things most people who witness them do not have
the ability nor the patience to commit to paper. But I need help in dealing
with the system. I need advice because I am a lowly prisoner and not; a lawyer,
Please feel free to write me at the following:
Edward Palmare 977272
Coffee Correctional Facility
P.0. Box 650
Nicholls, Georgia 31554
Nonetheless, I have tried to obtain legal assistance to help me with
the dissemination and protection of my intellectual property. At first I
sought the help of the Georgia Lawyers for the Arts. And I was told that
while they believed my claims are meritorious they lacked the resources to
assist me. They referred me to the Southern Center for Human Rights. They
too were unable to assist me. But that doesn’t thwart my resolve to obtain
justice 1
Now I was grievously harmed through this unfortunate process. As a
prisoner there is no law forbidding me from publishing. The actions taken
by Coffee Correctional Facility were designed solely to frustrate my efforts
to exercise my rights under the first Amendment. From time inmemoriam prisoners
have been permitted to disseminate their intellectual properties.
From Socrates to Solzhenitsyn and even from the great Winston Churchill and
Mohandas Ghana1 ideaas have been written from, the very bowels of prison.
Because of the mail room’s arbitrary, illegal and capricious conduct the
United States Copyright Office processed materials later than they should
have been processed. I could have possibly, in the best of all worlds, had
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these works placed on the market* I could have entered my lyrics in a chapbook
for a contest# I ccAd have disseminated ray work to a putative agent#
OR, I could have placed them on the internet, through a third party, so that
I kcouold pay off my legal fees# Their practices were perpetrated to discourage
me from exercising rights as old as Christendom. Had the warden
had his way the Apostle Paul would not have disseminated the Epistles throughout.
the known world,
1 have so much to write and share. But I need your help. As a prisoner
I have no access to internet. Thus, I have to transmit information the old
fashioned way# You have by now read my nTotal Exoneration♦” I have other
projects in the offing which may be of interest to you,
ct Edward Palraore
September, 2015